托斯卡纳的景观-朱莉鞋匠丙烯酸绘画教程

  用哪一种刷你舒服的。我通常使用一个平鬃刷多数我的工作。记住没有正确或错误的方式画了!如果你的绘画不变成像我一样,那么恭喜你!您创建了一个独特的一种绘画。

  天空——第一湿天空区域上半部分用白色的帆布石膏。

  然后用一个小黄色和一个触摸的橙添加到相同的笔刷,开始在底部的天空区域,制定你自己的方法。使用长水平中风。以中风马上画布而混合黄色和橙色到白色的石膏作为你工作向上。轻轻混合了顶部的帆布。擦拭刷去用纸巾。

  现在添加一个触摸的深蓝色和紫色的刷,开始在画布顶端向下,然后以自己的方式在相同的方式为你做了黄色。

  的底部涂上涂料在地球上任何颜色基调。没有花哨的这里!

  TuscanScene2 html m10c0423a

  利用天空的颜色(白色蓝色和紫色的混合物)和油漆在最远的山,山。注意这些山秀非常小的细节,非常柔软的寻找。

  TuscanScene2 html 28838108

  笼罩这座山(天空)颜色和涂料在下一层山。你想确保你让一些前面的山秀。保持与一些变化的上衣很有趣。

  TuscanScene2 html 15 e7863b

  添加一些地球音调到很遥远的山。你可以用棕色、褐色等。保持它乏味虽然。只是添加白色浑浊的油漆颜色。这些是在绘画的中心。

  添加一些猎人绿,开始涂或洗涤在灌木丛中。这应该是一个沉闷的绿色。

  c2f TuscanScene2 html 1751

  景观通常得到黑暗和生动的为你工作。

  躺在前台山。(你会做一个左边第一)使这一个更轻的像阳光是击中它。

  要做到这一点开始在左边的这幅画,把漆刷成绘画的中心。注意到这山的斜坡,如果你想要你可以添加一些行绿色一片庄稼看。(见下图片)

  现在笼罩在混合物和添加希尔在右边。它变黑与布朗夫妇或黝黑色。太多的绿色会让你的照片看起来不自然。这山将被漆成同样的方式但是从右侧的画把漆成这幅画和重叠的前面的山。继续画,直到整个帆布覆盖。

  TuscanScene2 html m33496b0a

  不要在混合!让变化的颜色显示。

  现在开始添加高大的树木。
如果您使用的是一个平鬃毛刷,把它抓在侧面和涂油漆在树的形状。

  在背景他们会乏味——或更轻。在前台的是墨绿色。添加到油漆变暗紫色的一侧将在阴影中。

  添加一些树的阴影到地上。

  再添加一个前台希尔在很前面。层次越多,越深你的画会

  TuscanScene2 html 50934314

  添加了几许红军或桔子花,和一些微小的阴影,如果你想。突出了树木。(使用淡黄色或绿色和民建联在亮度上太阳一侧的树)

  TuscanScene2 html 48 a4c51a

  你可以很容易地完成你的画了,让戏剧性的高大树的阴影是重点。

  TuscanScene2 html 1958641 e

  或者…添加一些房子。画简单的房子形状漆在形状与“脏白色”和红色的屋顶。在房子的阴影笼罩,屋顶的颜色在屋檐下。干刷在一些白色屋顶上突出。添加一个触摸的橙灯的房子。

  TuscanScene2 html m7d2a67e3

  添加鸟——鸟只是小v的——实践第一,保持那么美味!你的画…并签字。

  TuscanScene2 html m66866a13

原文如下:

Use whichever brush you feel comfortable with. I usually use a flat bristle brush for most of my work. And remember there is no right or wrong way to paint! If your painting doesn’t turn out like mine – then congratulations! You created a unique one of a kind painting.
Sky – First wet the sky area or top half of canvas with white gesso.
Then with a little yellow and a touch of orange added to the same brush, start at bottom of the sky area and work your way up. Use long horizontal strokes. Take the strokes right off the canvas while blending the yellows and orange into the white gesso as you work upward. Gently blend right up towards the top of canvas. Wipe the brush off with a paper towel.
Now add a touch of ultramarine blue and purple to the brush and start at the top of the canvas and work your way downward in the same fashion as you did the yellows.
The bottom part of the painting is under painted with any earth tone colors. Nothing fancy here!

Use sky colors (a mixture of white blue and purple) and paint in furthest hills – mountains. Notice how these hills show very little detail and are very soft looking.

Darken the mountain (sky) color and paint in next layer of hills. You want to make sure that you let some of the previous mountains show. Keep the tops interesting with some variations.

Add some earth tone to the very distant hills. You can use browns, tan, etc. Keep it dull though. Just add white to dull paint color. These are in the center of painting.
Add some hunter green and start dabbing or scrubbing in the bushes. This should be a dull green.

Landscapes typically get darker and more vivid as you work forward.
Lay in the foreground hills. (you will do the one the left first) Make this one lighter to look like sunlight is hitting it.
To do this start on the left of the painting and pull the paint brush into the center of the painting. Notice the slope of this hill. If you want you could add some rows of green for a field of crops look. (see next picture)
Now darken the mixture and add the hill on the right. Darken it with browns or tans. Too much green will make your picture look unnatural. This hill will be painted the same way but starting on the right side of the painting pulling the paint into the painting and overlapping the previous hill. Continue painting until the entire canvas is covered.

Don’t over blend! Let variations of color show.
Now start adding the tall trees.
If you are using a flat bristle brush, hold it on the side and dab on the paint in the shape of the tree.
In the background they will be duller – or lighter. The ones in the foreground are hunter green. Add purple to the paint to darken the side that will be in shadow.
Add some tree shadows to the ground.
Add one more foreground hill in the very front. The more layers – the more depth your painting will have

Add touches of reds or oranges for flowers, and some tiny shadows if you want to. Highlight the trees. (use yellow or light green and dab in brightness on the sun side of the trees)

You could easily be finished with your painting now, and let the dramatic tall tree shadows be the focus.

Or…Add some houses. Just draw in simple house shapes paint in the shapes with “dirty white “ and red for roofs. For shadows on the house, darken the roof color under the eaves. Dry brush in some white for highlights on the roof. Add a touch of orange for lights in the houses.

Add birds – Birds are just little v’s – Practice first and keep then dainty! and sign your painting….


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